Back from the Oblivion: Somnus, From The Depths, Krisiun, Angel Corpse, Immortal, Satyricon.

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3/29/2000, Flying Machine, Lorain, Ohio

Hello,
And you thought that I was gone for good, ah? You thought that when I wrote 'The Last Advance' I really meant it?! Shame on you! ...It was a nice Wednesday evening, and it was time for yet another exhausting, but very desirable trip to Flying Machine, where the first exciting show of the new year was to take place (sorry, but I don't consider S.O.D. show to be exciting at all). When we finally arrived to the place of bestial summoning (haha!), it was practically empty, not counting very few metalheads standing here and there outside the club - something I, actually, pretty much expected considering that no FEAR FACTORY played on that day. Now it was time for a couple of long-expected surprises (I



Immortal
Taken from http://sh55k01.jvb.tudelft.nl/html/immortal.htm

know it sounds absurd, but let me explain). First of all, once again we bought our tickets from SOMNUS' member, this time it was their beautiful keyboard player, who even said that we rocked (sometimes it's not that easy to sell tickets in the parking lot, you know). This remark made me bold enough to ask her if she was from SOMNUS (like I did not know that already!), and then murmur something like 'You are cool', which must have sounded pretty funny :-) Anyway, second 'surprise' was not that nice, as show started at 8.30 instead of 7.30, and considering that it was in the middle of the week (I, personally, was supposed to have an exam next morning) some people felt a little bit upset about this 'little' letdown. However, as soon as we got inside and SOMNUS started to play, bad mood instantly disappeared without a trace. Holy Thorr's Hammer, are they good or what?! Every time I see them, they only seem to sound better and better, even though their setlist more or less remains the same. In the light of everything that was said before, it was a definite shame that people did not really pay a lot of attention to one of the best local bands, instead opting to hang out in the bar or simply come late to see only more well known bands. In the beginning, I was the only one who was headbanging to their interesting blend of melodic doom/death/black metal, but, fortunately, later on few more people joined me. I am also very glad to inform you that I'm not the only one who believes in SOMNUS (count Paul Kuhr from Novembers Doom in too), as their debut CD 'Awakening the Crown' was finally released through Root-O-Evil Records and is available through some good underground companies (Dark Symphonies). FROM THE DEPTHS played next, and their set was partially shaded by some technical problems. First it was microphone that did not work, then something happened to one of their guitars; and for a second it even seemed that their main man (who, considering he is a guitarist/vocalist of a METAL band, was complaining way too much) was ready to call it a day, but, finally, everything was more or less fixed. I have to say that a celebration of the pseudo new Millennium did hurt FROM THE DEPTHS quite a bit, as in the process of this celebration they somehow lost their session keyboardist and now play as a four-piece. Anyway, it was a pretty good set of aggressive black/death metal which was rounded out with, no, not METALLICA's 'Creeping Death', but some KREATOR song which I never heard before, but nevertheless enjoyed quite a bit. I could simply say that KRISIUN sucked and it would be a just enough review for their part of the show, but for the sake of being fair I will go into more details and describe what exactly I did not like about them. Brutal and hyperfast death metal is the name of the game here, and this game is just not right. I always thought that music is supposed to possess some kind of melody, but it appears that guys from KRISIUN totally disagree with me, as their music possesses everything, but melody. Some can say that it's brutal metal and thus discussions about melody are just irrelevant, but I say, think MAYHEM, LIMBONIC ART or SIX FEET UNDER. Are they brutal? Yes, they are! Does their music possess melody? Hell yeah! Anyway, returning to KRISIUN, they proved that they are fast, but they also proved that they are monotonous, boring and uninspired and can not write a single memorable song. As for the people craving for ultimate brutality, I can recommend you hitting your head against the wall - this is REALLY brutal and should help you to stay away from the
mindless music for a little while. Oh yeah, one plus for guys from KRISIUN: nice hair, dudes! ANGEL CORPSE was next, and the first thing that I thought was: 'KRISIUN #2???' My second thought was that maybe it was MORBID ANGEL #3 (KRISIUN being the second one)??? Anyway, the only differences between two bands were that ANGEL CORPSE had two guitarists in their line-up and that two guys in ANGEL CORPSE had shaved heads. These two bands are so similar, it does not really surprise me that they like each other's music so much. Well, I guess it should not then surprise you that I did not like ANGEL CORPSE just as much as I did not enjoy KRISIUN. Equipment setup for IMMORTAL set took about 30 minutes... I must say, that quite a while ago I have noticed an ironic thing about this issue: the more technicians you see onstage, the more time it will take them to set everything up. Anyway, IMMORTAL came in and crushed everything and everyone in the building - plain and



Satyricon
Taken from www.moonfog.no

simple. I had not liked this band in the past, that is until that point in time that I heard their (then) new album 'At the Heart of Winter'. Some of you already know, that any given song from that album easily outweighs anything this band had done before (we are talking 4 LP's here) and thus it was an appropriate choice for them to kick off with both 'Withstand the Fall of Time' and 'Solarfall', which feature almost perfect blend of heaviness, melody and speed (Are you listening KRISIUN???). One more new song that was played was 'Years of Silent Sorrow'. They also played quite a few of older tunes, which I enjoyed almost as much as newer material, but it was quite evident that older songs do not possess as much feeling or memorable hooks as new stuff, as they all tended to sound a little bit alike. It also has to be noted, that although IMMORTAL played only as a three-piece, their sound and tightness were top-notch, making a lot of bands with bigger line-ups sound like a bunch of schoolboys. Outstanding! SATYRICON was about to play next; as for me, I had to leave my place in front of the stage and retreat into the tables area as both five-hour stand on the same spot and annoying music of ANGEL CORPSE and KRISIUN tired me big time. I was not really sure what to expect from SATYRICON as far as live show is concerned, as their brand of black metal is not the easiest to play live, plus after the devastating set played by IMMORTAL it would be difficult for just about anybody to get the exhausted crowd going. Well, SATYRICON did get some people excited, but for the most part their part of the gig was quite disappointing. Probably it was difficult for a band with only two core members to play as a six-piece (Satyr was only singing/screaming and they had two session guitar players as well as a female keyboardist playing some pretty weak synths). Maybe the mix was not right that night (although it was very good during IMMORTAL set). Maybe something else affected SATYRICON's playing abilities, but the sound just was not there. To me their music mostly sounded like a wall of noise in which you could hardly distinguish way too distorted guitars, a lot of bottom end (KORN's ghost was once again spotted in the building), and occasional feeble synths somewhere in the background. Choice of the songs played was not the best possible either, to say the least. They opted, almost exclusively, to play songs from their latest CD and MCD, while totally ignoring the rest of their catalog (only two songs from the 'Nemesis Divina' were played, with 'Mother North' sounding VERY wrong). In the end they decided to play an encore, but the majority of people was, seemingly, quite disappointed with their very average performance and thus chose to leave instead of staying in the club for another 5 minutes. Considering it was around 2.15 in the morning, and SATYRICON'S show was pretty damn far from being groundbreaking, it was only a logical choice for me to follow the leaders and, finally, dive into the night... P.S. We did take some pictures this time, so I really hope that we will be able to show them on the site in the near future.

Andy.
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